Billy Wilder quickly became one of Hollywood’s hottest screenwriters after teaming with Charles Brackett. But if he wanted to keep directors from changing his words, he’d have to get behind the camera himself. His directorial debut? That was a surprise.
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Keir Graff & Michael Moreci, hosts
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Witness for the Prosecution
Billy Wilder needed a hit, so who could he turn to? A hit-making machine: the on
Love in the Afternoon
Billy Wilder’s last film was a flop. But he would get two do-overs in 1957—and t
The Spirit of St. Louis
After stringing together three hit movies in a row based on Broadway plays, Bill
Ace in the Hole Commentary Track
They're no Billy Wilder, and this isn't a director's commentary, but Keir and Mi
The Filmographers Podcast
