In 1999, as many of his peers take Hollywood by storm, Steven Soderbergh returns to his low-budget indie roots with “The Limey.” Will he maintain his career momentum or succumb to the malaise that defined most of his 1990s efforts? The answer is . . . complicated.
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Credits
Keir Graff & Michael Moreci, hosts
Kevin Lau, producer
Gompson, theme music
Cosmo Graff, graphic design
Witness for the Prosecution
Billy Wilder needed a hit, so who could he turn to? A hit-making machine: the on
Obsession + Hokum
It's a Filmographers first: Mike is flying solo! Keir is away on writer business
Love in the Afternoon
Billy Wilder’s last film was a flop. But he would get two do-overs in 1957—and t
The Spirit of St. Louis
After stringing together three hit movies in a row based on Broadway plays, Bill
The Filmographers Podcast
