After a blistering noir and a searing portrait of alcoholism, Billy Wilder’s next film was . . . a Technicolor musical comedy starring Bing Crosby! Why did he make “The Emperor Waltz”? We’re just as puzzled as you are.
We're upping our Patreon in a major way for Season 2, so be sure to join today!
Patreon.com/TheFilmographersPodcast
Social media
Instagram @thefilmographers
Bluesky @thefilmographers.bsky.social
Letterboxd @filmographers
YouTube @TheFilmographersPodcast
Website
https://filmographerspodcast.com/
Credits
Keir Graff & Michael Moreci, hosts
Kevin Lau, producer
Gompson, theme music
Cosmo Graff, graphic design
Witness for the Prosecution
Billy Wilder needed a hit, so who could he turn to? A hit-making machine: the on
Love in the Afternoon
Billy Wilder’s last film was a flop. But he would get two do-overs in 1957—and t
The Spirit of St. Louis
After stringing together three hit movies in a row based on Broadway plays, Bill
Ace in the Hole Commentary Track
They're no Billy Wilder, and this isn't a director's commentary, but Keir and Mi