Billy Wilder’s last film was a flop. But he would get two do-overs in 1957—and the first was his Ernst Lubitsch homage, “Love in the Afternoon.” He also met his second great writing partner: I. A. L. Diamond.
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Keir Graff & Michael Moreci, hosts
Kevin Lau, producer
Gompson, theme music
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Some Like It Hot
With his new writing partner at his side and a parade of hit movies trailing beh
The Billy Wilder Story So Far
Whether you've been following along with us all season or have only recently joi
Billy Wilder's 10 Rules of Screenwriting—with Pulitzer winner Daniel Kraus
Keir and Mike are joined by a very special guest and friend of the show—Pulitzer
Witness for the Prosecution
Billy Wilder needed a hit, so who could he turn to? A hit-making machine: the on
The Filmographers Podcast
