For his second movie, Billy Wilder made a hard turn away from fluffy comedy and set his sights not only on the action genre, but also on the burgeoning war occurring across the ocean. His sophomore effort may not be as well-known as his later works, but it's a critical entry in his career--and it's also one of Quentin Tarantino's favorite movies!
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Credits
Keir Graff & Michael Moreci, hosts
Kevin Lau, producer
Gompson, theme music
Cosmo Graff, graphic design
Witness for the Prosecution
Billy Wilder needed a hit, so who could he turn to? A hit-making machine: the on
Obsession + Hokum
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Love in the Afternoon
Billy Wilder’s last film was a flop. But he would get two do-overs in 1957—and t
The Spirit of St. Louis
After stringing together three hit movies in a row based on Broadway plays, Bill
The Filmographers Podcast
