Steven Soderbergh is on an artistic and critical winning streak, and now, as the new millennium begins, he’s about to finally find box-office success again . . . and maybe win an Oscar, too. (If only he can beat that pesky Steven Soderbergh for Best Director.)
Social media
Instagram @thefilmographers
Twitter/X @filmographerpod
Letterboxd @filmographers
YouTube @TheFilmographersPodcast
Website:
https://filmographerspodcast.com/
Credits
Keir Graff & Michael Moreci, hosts
Kevin Lau, producer
Gompson, theme music
Cosmo Graff, graphic design
Witness for the Prosecution
Billy Wilder needed a hit, so who could he turn to? A hit-making machine: the on
Obsession + Hokum
It's a Filmographers first: Mike is flying solo! Keir is away on writer business
Love in the Afternoon
Billy Wilder’s last film was a flop. But he would get two do-overs in 1957—and t
The Spirit of St. Louis
After stringing together three hit movies in a row based on Broadway plays, Bill